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  在中英翻译方面 ,等效翻译理论虽然有其一定的局限性 ,但等效翻译理论的两个原则———顺乎自然的对等和最切近的对等,用最贴切的意思还原文章。下面就是学习啦小编给大家整理的中英翻译文章阅读,希望大家喜欢。

  中英翻译文章阅读篇1:秋天的怀念

  Fond Memories of Autumn

  史铁生

  Shi Tiesheng

  双腿瘫痪后,我的脾气变得暴怒无常。望着天上北归的雁阵,我会突然把面前的玻璃砸碎;听着听着李谷一甜美的歌声,我会猛的把手边的东西摔向四周的墙壁。母亲就悄悄地躲出去,在我看不见的地方偷偷地听着我的动静。当一切恢复沉寂,她又悄悄地进来,眼边红红的,看着我。

  When my legs were first paralyzed, my temper became terrible. Looking at the lines of wildgeese flying back north, I would suddenly smash the window pane in front of me. Listening tothe sweet songs sung by the famous singer Li Guyi, I would throw whatever happened to be onhand at the wall. On these occasions Mother would steal out quietly, watching me from a placewhere I could not see her. When I calmed down, she would come back softly and gaze at mewith sad eyes.

  “听说北海的花儿都开了,我推着你去走走。”她总是这么说。母亲喜欢花,可自从我的腿瘫痪后,她侍弄的那些花都死了。

  “They say that the flowers in Beihai Park are in bloom now. Let me wheel you there,” she usedto say. Mother loved flowers dearly, but ever since my legs became paralyzed, all her flowershad died.

  “不,我不去!”我狠命地捶打这两条可恨的腿,喊着,“我活着有什么劲!”母亲扑过来抓住我的手,忍住哭声说:“咱娘儿俩在一块儿,好好儿活,好好儿活……”

  “No, I won’t go!” I shouted, while beating my cursed legs as hard as I could. “What am I stillliving for?” Mother would then rush up to me, holding my hands in hers and saying betweensubdued sobs, “The two of us should live together happily, happily…”

  可我却一直都不知道,她的病已经到了那步田地。后来妹妹告诉我,她常常肝疼得整宿翻来覆去地睡不了觉。

  Although I did not know it, she had been seriously ill herself all the time. It was my youngersister who told me later that mother had often been kept awake the whole night with pains inthe liver.

  那天我又独自坐在屋里,看着窗外的树叶唰唰啦啦地飘落。母亲进来了,挡住窗前:“北海的菊花开了,我推着你去看看吧。”她憔悴的脸上现出央求般的神色。“什么时候?”“你要是愿意,就明天?”她说。我的回答已经让她喜出望外了。“好吧,就明天。”我说。她高兴得一会儿坐下,一会站起:“那就赶紧准备准备。”“哎呀,烦不烦?几步路,有什么好准备的!”她也笑了,坐在我身边,絮絮叨叨地说着:“看完菊花,咱们就去‘仿膳’,你小时候最爱吃那儿的豌豆黄儿。还记得那回我带你去北海吗?你偏说那杨树花是毛毛虫,跑着,一脚踩扁一个……”她忽然不说了。对于“跑”和“踩”一类的字眼儿,她比我还敏感。她又悄悄地出去了。

  One day I was alone in the room, watching the rustling fall of autumn leaves through thewindow when Mother came in. She stood between me and the window and said, “Thechrysanthemums in Beihai are blossoming. Do let me take you there for a visit.” Her sad eyes inher haggard face silently implored me. “When?” I asked.“Tomorrow, if it suits you,” she replied,pleasantly surprised at my interest.“Okay, tomorrow then,” I agreed. She was so delighted thatshe did not know whether to sit or to stand.“Let’s get ready right now,” she suggested. “Oh,what a bore! Do we need to get ready for a park just a few steps away?”I said. She burst outlaughing herself, sat down beside me and murmured, “After we’ve seen the chrysanthemums,we’ll dine at Fang Shan Restaurant. You used to love their puree of peas best when you were alittle boy. Still remember our last tour to Beihai? You insisted that the poplar flowers be wormsand ran to stamp on them one by one…” Here she broke off abruptly, more sensitive towords like “run” than I ever was. She went out again gently.

  她出去了,就再也没有回来。

  Yes, she went out, never to come back.

  邻居们把她抬上车时,她还在大口大口地吐着鲜血。我没想到她已经病成那样。看着三轮车远去,她绝没有想到那竟是永远的诀别。

  When the neighbors carried her onto the tricycle flatcart, she was still vomiting mouthfuls ofblood. I had never thought she could have been so seriously ill. Watching the three-wheeler go,I had not expected it would be her departure to eternity.

  邻居的小伙子背着我去看她的时候,她正艰难地呼吸着,像她那一生艰难的生活。别人告诉我,她昏迷前的最后一句话是:“我那个有病的儿子和我那个还未成年的女儿……”

  The young man next door carried me on his back to the hospital to see her. She was gaspingher last, in just the same way as she had lived her entire hard life. I was told later that her lastwords before passing away were: “I have an invalid son and an unmarried daughter…”

  又是秋天,妹妹推我去北海看了菊花。黄色的花淡雅,白色的花高洁,紫红色的花热烈而深沉,泼泼洒洒,秋风中正开得烂漫。我懂得母亲没有说完的话。妹妹也懂,我俩在一块儿,要好好儿活……

  It was another autumn when my sister wheeled me to Beihai park to see the chrysanthemums.The yellow ones were simple and elegant; the white ones, pure and noble; and the purple ones,warm and deep; all were in full bloom, dancing in the autumn breeze. I came to know whatmother hadn’t had time to finish, and so did my sister. We should live together happily…

  中英翻译文章阅读篇2:苗族龙船节

  The Miao Dragon-Boat Festival

  龙船节,是黔东南清水江上苗族人民最盛大的节日。节日里,聚会的苗族同胞,每年有三四万人。

  The Dragon-Boat Festival is the most important celebration of the Miao people, who live alongthe Qingshui Rwerin southeastem Guizhou Province. Every year between 30,000 and 40,000Miaos participate in the festivities.

  龙,在苗族人心目中是吉祥如意的象征。苗家姑娘最爱将龙的变形图案打制成银饰装点在头上,或刺绣在衣裙中,编织于围腰上。

  In the eyes of the Miaos, the dragon is a symbol of good luck. Girls like to adorn their hair withsilver omaments shaped like dragons and wear clothes embroidered or woven with dragonpatterns.

  苗族人民制作的龙船,十分精巧、美观。龙身由一只母船和两只子船捆扎而成,叫做“子母船”。无论子船还是母船,皆为独木镂空。两米多长的龙头,用水柳木雕刻,装有一对一米多长的龙角。龙头以主色不同,分为赤龙、青龙、黄龙。从施秉县的平兆到台江县的六河,每个苗族寨子都建有“龙篷”,用来保护龙船。因龙船身长25米,“龙篷”建成七格,每格将近四米长,当地又称之为“七间房”。

  The Miaos build exquisite"dragon boats," which are in reality a body formed from three canoes-one large and two small-that are strung together. A carved head, painted red, blue, or yellow, ismade from the trunk of a weeping willow tree. It is 2 meters long and sports a pair of horns. Aspecial shelter in seven parts, extending 28 meters, to house dragon boatshas been built inevery Miao village along the Qingshui River from Pingzhao in Shibing county to Liuhe in Taijiangcounty.

  每年农历5月24日至27日,几十个村寨相继举行龙船节。当地习惯,从16日开始,只要全寨薅完秧,本寨的龙船便可下水。因此,从龙船下水的早晚,可以看出各寨的农事生产进度,在勤劳的苗家人民心中,龙船节到了,地里的秧还未薅完,这是莫大的耻辱。

  The Miao Dragon-Boat Festivalis celebrated from the 24th to the 27th ofthe fifth lunar month.But according to local custom, people are allowed to send their dragon boats down the riverafter the 16th, provided that they have finished weeding their fields. The earlier appearance ofthe boats onthe river tesifies to the villagers' efficiency, and conscientious peasants con-siderit a shame not to finish weeding before the festivities begin.

  节日期间,家家户户酿米酒,包粽粑,走亲访友,宴请宾朋。出嫁的姑娘必须携带粽粑、鹅鸭等礼物回娘家,同父母兄妹团聚。龙船出发之前,一位歌师唱首吉祥歌,祝愿船只平安。

  During the festival, each family makes r:ice wine and zongba (a kind of dump-ling made ofglutinous rice) and calls on friends and relatives. Married womenvisit their parents' homesbearing gifts-zongba, geese, and ducks.

  每只龙船都有一位鼓头。他是一切活动的主持者,由全寨推选出来的德高望重的老人担任。鼓头身着长袍马褂,坐在龙颈上击鼓发令,男扮女装的鼓锣手,由十岁左右的孩童充任。40位水手,身着青布上衣、士林蓝裤子,腰系银饰花带,手握五尺木桨,整齐划一,甚是威武。水手头上的那特制的马尾斗笠,原是清水江上游苗族姑娘出嫁时的陪嫁品,却成了龙船节水手们必备的一件装饰物。

  In each boat, an old man rides straddling the dragon's neck. He is the mostrespected man inthe village, chosen by the villagers to be the coxswain. Wearing a gown and a mandarinjacket,the old man beats a drum to set the pace for the oarsmen, and severalboys about 10 years ofage, wearmg dresses,beat drums and gongs. The oarsmen, 40 in all, wield 5-foot-longwooden oars. These powerful-looking men wear horsetail-shaped hats, blue jacketsandtrousers, and embroidered waistbands pinned with silver ornaments. The hats, traditionallydowry gifts for girls from the upper reaches of theQingshui River, have become an essentialfeature of the costumes worn bythe dragon-boat oarsmen.

  苗族龙船节,与汉族的端午节不同。除时间不同外,一般不举行竞赛,主要活动是串寨子,走亲访友。清晨,龙船开始在江水中游动,所到之处,亲尤们纷纷到岸边“接龙”。龙船过寨,鸣放铁炮传告亲友,岸上以鞭炮声相呼应。亲友们上前,向船上的人各敬两杯米酒,并将礼品--鹅鸭、彩绸挂于龙头。如系女婿、姑舅等至亲,送上的礼物则是猪羊。

  The Miao Dragon-Boat Festival differs from the Han celebration. They are not celebrated on thesame date (the Hans' takes place on the fifth day of thefifth lunar month), and they followdifferent traditions. While the Hans only hold dragon-boat races during the festival, theMiaostake the opportunity to visit friends and relatives. Before a dragon-boat setsout,somebody sings an auspicious song to the boatmen, wishing them agood voyage. Young menset out in boats early in the morning. When they approach a village, they fire guns toannounce their arrival. The villagers setoff firecrackers in response and then go to meet them.The hosts present twocups of rice wine to each oarsman and then tie gifts for their relatives-ducks, geese, and colored silks-onto the heads of the dragons. The tradi-tional gifts for sons-in.law, uncles, and nephews are pigs or sheep.

  下午四时左右,龙船靠岸休息,水手们将糯米饭团和肉类放置船帮上就餐。不用碗筷,双手捏出的糯米饭团格外清香可口。岸上的妇女和小孩纷纷前来“讨路边饭”。传说,吃了龙船上的食品,能消灾免难,百事如愿。后来,这就成为传统的风俗习惯。

  At 4 p.m. the boats stop alongside the riverbank. The drummers and oars~men on the boatseat glutinous rice balls and meat with their fingers. Womenand children on the shore ask theboatmen to share their food. It is said thateating food from a dragon-boat protects one fromdisaster and gives goodluck.

  岸上,还有苗家传统的赛马、斗牛、踩鼓等活动。姑娘们身着节日盛装,应着木鼓鼓点翩翩起舞。飞歌往来,昼夜不绝,青年男女通过对歌,互相了解,建立感情,增进团结和友谊,以致结成幸福家庭。

  Horse races and bullfights are held during the festival. Girls in holiday dress dance to theaccompaniment of drums. It is not unusual for young people to meet their future spouses atthe songfests held on festival nights.

  中英翻译文章阅读篇3:鲁迅先生记

  A Few Memories of Mr. Lu Xun

  萧红

  Xiao Hong

  鲁迅先生家里的花瓶,好像画上所见的西洋女子用以取水的瓶子,灰蓝色,有点从瓷釉而自然堆起的纹痕,瓶口的两边,还有两个瓶耳,瓶里种的是几棵万年青。

  Mr. Lu Xun had a plant pot in his sitting-room. It looked like the jar European women fetchedwater with, as shown in paintings. It was of a bluish-gray, with a few ripples naturally embossedwith its own glaze and, on either side of it, there was a handle close to the top. Planted in itwas some evergreen.

  我第一次看到这花的时候,我就问过:

  The first time I visited Mr. Lu Xun I asked:

  “这叫什么名字?屋中既不生火炉,也不冻死?”

  “What is the name of this plant? There is no fire in the room, but it is not frozen.”

  每一次,走进鲁迅家里去,那是快近黄昏的时节,而且是个冬天,所以那楼下室稍微有一点暗,同时鲁迅先生的纸烟,当它离开嘴边而停在桌角的地方,那烟纹的卷痕一直升腾到他有一些白丝的发梢那么高。而且再升腾就看不见了。

  It was toward evening one winter day. The sitting-room downstairs was dim. Mr. Lu Xun wassmoking a cigarette. When he took it away from his lips, holding it between his fingers at thecorner of his desk, small puffs rose as high as the top of his grayish hair and, further up, theywere no longer visible.

  “这花,叫‘万年青’,永久这样!”他在花瓶旁边的烟灰盒中,抖掉了纸烟上的灰烬,那红的烟火,就越红了,好像一朵小花似的,和他的袖口相距离着。

  “This plant is called evergreen. It’s always like that.” He flicked the cigarette ash to the ashtraynext to the pot and the cigarette grew redder still like a small flower glimmering two or threeinches from the cuff of his sleeve.

  “这花不怕冻?”以后,我又问过,记不得是在什么时候了。

  “It is not affected by the cold, is it?” I asked another time, not remembering exactly when.

  许先生说:“不怕的,最耐久!”而且她还拿着瓶口给我摇着。

  “No, it is not.” said Mrs. Lu. “It’s a very tough plant.” She held the pot by the top, shaking it forme to see.

  我还看到了那花瓶的底边是一些圆石子,以后,因为熟识了的缘故,我就自己动手看过一两次,又加上这花瓶是常常摆在客厅的黑色长桌上,又加上自己是来自寒带的北方,对于这在四季里都不凋零的植物,总带着一点惊奇。而现在这“万年青”依旧活着,每次到许先生家去,看到那束花,有时仍站在那黑色的长桌上,有时站在鲁迅先生照像的前面。

  I noticed there were some pebbles around the bottom. Later, as I got to know them better,went up to the black table once or twice for a closer look at the plant. As I came from the coldnorth I always wondered why this plant did not wither even in winter.

  花瓶是换了,用一个玻璃瓶装着,看得到淡黄色的须根,站在瓶底。

  The plant was now still alive. Sometimes it was placed on the black table, other times in front ofMr. Lu Xun’s photograph. But it had been transplanted into a glass pot through which theiryellowish roots could be seen at the bottom.

  有时候许先生一面和我们谈论着,一面检查房中所有的花草。看一看叶子是不是黄了?该剪掉的剪掉,该洒水的洒水,因为不停地动作是她的习惯。有时候就检查着这“万年青”,有时候就谈着鲁迅先生,就在他的照像前面谈着,但那感觉,却像谈着古人那么悠远了。

  Mrs. Lu would chat with us while moving from one plant to another, checking if any of them hadturned yellow or needed clipping or watering. She would keep herself busy in her room.Sometimes she examined the evergreen, sometimes she talked of Mr. Lu Xun, in front of hisphotograph, as if of someone of remote past.

  至于那花瓶呢?站在墓地的青草上面去了,而且瓶底已经丢失,虽然丢失了也就让它空空地站在墓边。我所看到的是从春天一直站到秋天;它一直站到邻旁墓头的石榴树开了花而后结成了石榴。

  But where was the pot now? It was standing in the graveyard, in the grass, its bottom missing.The bottomless, empty pot had been there spring through autumn until the pomegranate atthe head of the neighboring tomb had blossomed and borne fruit.

  从开炮以后,只有许先生绕道去过一次,别人就没有去过。当然那墓草是长得很高了,而且荒了,还说什么花瓶,恐怕鲁迅先生的瓷半身像也要被荒了的草埋没到他的胸口。

  Since the Japanese bombardment of Shanghai only Mrs. Lu has made a detour to visit thetomb, but no others have ever been there. The tomb must have been overgrown with wildgrass and the porcelain bust of Mr. Lu Xun buried up to the chest, not to mention what wouldhave happened to the pot.

  我们在这边,只能写纪念鲁迅先生的文章,而谁去努力剪齐墓上的荒草?我们是越来越远了,但无论多么远,那荒草是总要记在心上的。

  As for us over here, there is not much we can do but write some memorial articles. But whowill go and trim the grass on his tomb? We are getting further and further away from him, butno matter how far away we are, we must remember the grass on his tomb.

  
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