电子音乐用英语怎么说
电子音乐简称电音、电子乐，只要是使用电子乐器音色所创造的音乐，都可成为电子音乐。今天学习啦小编为大家带来电子音乐的英语说法，希望对大家的学习有所帮助!
电子音乐的英语说法
electronic music
电子音乐相关英语表达
电子音乐类型列表 List of electronic music genres
现场电子音乐 Live Electronic Music
电子音乐作曲 Electronic Music Composition
电子音乐中心 electronic music centre
电子音乐基金会 Electronic Music Foundation
电子音乐的英语例句
1. Do you remember when everyone got a bit tired of electronic clutter and went unplugged and acoustic?
你还记得那时候大家都有些厌倦电子音乐的嘈杂声而拔掉电子乐器回归到原声状态吗?
2. The instrument can also double as an electronic control for a full - size music synthesizer.
它可以兼作一个全套电子音乐合成器的电子控制部分.
3. KAREN: The New Bar is all techno music on Friday night.
凯伦: 新酒吧在星期五晚上都是电子音乐.
4. STEVE: It's not all techno music. It's not a special techno night.
史帝夫: 并不都是电子音乐, 那不是一个独特的电子音乐晚上.
5. The sound sample design of oriental musical instruments inelectronic music.
电子音乐中东方乐器声音样本的设计.
6. When music turns electronic, the twist of a knob can change everything.
自从有了电子音乐, 捻一个旋钮便改变了一切.
7. This is a very lively electronic music.
这是一首动感十足的电子音乐.
8. And then there is techno music.
再来就是电子音乐.
9. Electronic music has come to stay.
电子音乐已经扎下根来.
10. I'm interested in electric music.
我对电子音乐很感兴趣.
11. This week, an Asian prodigy, who's known for putting some electricity into the classical violin.
本周的嘉宾是一位亚裔音乐天才, 她因把电子音乐融入古典小提琴而闻名.
12. I like music, rock, classical music , music, electronic , solo piano symphony, etc, are all in scope.
我喜欢音乐, 摇滚, 古典,电子音乐, 轻音乐, 交响曲, 钢琴独奏等等, 都在范围里.
13. Electronic music plays inside the cubicles and the toilet cleans itself after each usage.
洗手间内播放着电子音乐,每次使用过后,马桶会自动清洗.
14. Machine music which later evolved into electronic music, gave the composer unlimited possibilities of digital dexterity.
机械音乐后来发展到电子音乐, 用数字的灵敏给作曲家提供了无限的可能性.
15. If ring for electronic music, press the button on the reduction and termination, showed initial state.
如果是电子音乐门铃在响, 按下复位按键就终止, 显示初始状态.
有关电子音乐英文阅读
In the mid-1960s the times they were indeed a-changin.
One of the places those changes were being felt was the world of folk music, says rock historian Elijah Wald, author of a new book, “Dylan Goes Electric.”
“There was a moment in the early 60s where you could look at the Billboard chart and seven of the top 10 albums were folk records.
And Joan Baez, Peter Paul and Mary, the Kingston Trio, all had huge, huge, huge number-one records.”
And then all that changed.
In 1964, the Beatles had hit and by the summer of 1965 a lot of people in the folk scene were sort of feeling like their world was threatened.”
They were hoping that Bob Dylan would come to the rescue.
Dylan had become a legend in folk music circles, both as a powerful songwriter and a distinctive singer.
Most of the crowd at the Newport Folk Festival on the evening of July 25, 1965 were expecting to hear this,instead when Dylan took the stage,this is what they got.
Dylan had gone electric, and the folk purists didn't like it one bit.
“And when Dylan went electric, I think one of the issues was the feeling that-wait a minute, he's gone over to the enemy.”
Once they recovered from the shock of it, the audience expressed their displeasure-they booed.
Folk fans had looked to Dylan to save their movement from the rock'n' roll onslaught, but "Dylan had always liked rock'n roll and Dylan didn't think of rock-n-roll as stupid music.”
In fact, Dylan was a Beatles fan.
He would later say that from the first time he heard the Beatles he knew “they were pointing to the direction where music had to go.”
“Honestly, once the Beatles hit, I think the writing was on the wall.
But when Dylan went with the Beatles on that one, that was that…
That was essentially the end of the folk scene as a huge mainstream pop trend.”
Beyond the music, Dylan's performance that night also marked a turning point in American culture.
"There are two halves to the 1960s.”
What he meant was: just picture Martin Luther King, Jr.'s March on Washington in 1963-most of the protesters are wearing suits.
You'd never see that in the hippie days of the late 60s.
“Before 1965 was really a different world, and it's the 60s of the Civil Rights Movement,and of folk music and of joining arms across the generations and across the races.
And after 1965 it's the world of rock…I'm not saying that Dylan created that change,but I do think that the confrontation at Newport happened because it was symbolic of that much larger confrontation,and has been remembered because it really is sort of the moment of rupture where the new 60s emerged.”
参考译文
在20世纪60年代中期,他们确实曾发生过改变。
新书《Dylan Goes Electric》的作者摇滚人艾丽·瓦尔德表示感受这些改变的一个地方就是民谣。
“在60年代早期曾有一段时期,如果你关注下欧美流行音乐排行榜，就会发现位居前10的专辑中有7张是民谣。
而琼·贝兹，彼得保罗和玛丽及琼·贝兹, 金斯顿三重奏乐队都曾获得过巨大的成功。”
然而一切都发生了改变。
1964年,甲壳虫乐队开始一炮走红,而截至1965年夏天,民谣圈中的很多人都感受到了威胁。”
他们希望鲍勃·迪伦能站出来力挽狂澜。
当时的迪伦已经成为民谣音乐的传奇,歌曲创作表现强势而且歌唱表演方面特立独行。
1965年7月25日晚的新港民谣节上，大多数人曾期望听到的是这样的歌曲,但迪伦登台时,他们耳中传来的却是大不相同的音乐。
迪伦那时候转战电子音乐,这是纯民谣主义者所不喜欢的。
“迪伦转战电子音乐时,我想的一个问题是人们对他的感觉，等等,他是我们的死对头。”
一旦从这种打击中恢复,观众通过一片嘘声诉说着自己的不满。
民谣粉丝们曾指望救世主迪伦从摇滚的冲击中挽救他们,但迪伦一直钟爱着摇滚乐而且他从未想过摇滚是愚蠢之极的音乐。
事实上,迪伦曾是披头士的一位乐迷。
后来他曾回忆在自己第一次听到披头士后他就心知肚明，“披头士指引着未来音乐必须经历的发展方向。”
“老实说,一旦甲壳虫乐队开始走红,我认为词曲创作就是表面上的事情。
但当迪伦和甲壳虫乐队开始时,一切就代表着…
这是本质上身为巨大主流流行趋势民谣歌曲的终结。”
而抛开音乐，迪伦那晚的表现也标志着美国文化上的一个转折点。
“对于20世纪60年代而言有两半。”
他的意思是:想想马丁·路德·金，他在1963年3月在华盛顿的游行—当时大多数抗议者都身着西装。
这样的场景永远不会让你联想到60年代末满大街嬉皮士的日子。
“在1965年前是一个截然不同的世界,那时是60年代的民权运动,还有民乐及各世代种族间的杀戮。而1965年以后的世界摇滚…我不是想说迪伦一手创造了这种变革,但我确实认为,新港的对立的确有所关系,因为它象征着更大规模的对立,而且它一直被人铭记,因为它确实是告别旧时代，迎接新世代的截点。”
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